Helen Garner: Yellow Notebook
When I first read that Helen Garner had published her diaries kept from 1978 to 1987, I selfishly thought, oh — if only I’d kept a journal — what a way to publish your autobiography! I do wish that I had kept diaries, as Helen Garner has done, but I doubt they would be as readable as Garner’s. And this is not an autobiography.
After burning her early journals, Helen Garner decided to start writing in a journal again – around 1978 – and did so in a yellow notebook – hence the title. When I picked up the published book, I expected to find that the journal had been edited – maybe there would be themes – after all, Garner has been known to say that her first novel, Monkey Grip was just an edited version of her diaries of that time.
Clearly, the extracts have been selected, but they are presented as a serendipitous collection of musings, quotes, descriptions… Her endeavours to keep friends, lovers, husbands anonymous sometimes make the reading heavy going. As a writer, I found it fascinating to have glimpses of Garner’s daily routine, of how she quite often had to drive herself to write. I was surprised that this writer who, even back in 1978, was ‘successful’, has a lurking lack of confidence. She is cut to the quick when there are harsh reviews of her work and elevated to blissful delight when the reviews are good.
Garner has been a hero of mine ever since I read Monkey Grip back in 1978. In both her fiction and non fiction (and I have heard her discuss that there is not a lot of sense in these distinctions) Garner confronts the reader with the reality of our existence — be it in a rooming house imprisoned by drug addiction or in a courthouse confronted by human frailty. So too in these diaries there were moments when I was entranced by her attention to detail or her encapsulation of a feeling by use of metaphor. We do have to wade through some of Garner’s everyday notes. This is not intended to be a polished novel or essay, but, as Peter Craven has written in The Saturday Paper, ‘worlds of incident and feeling are clipped into a shape of entrancing implication’.https://www.thesaturdaypaper.com.au/culture/books/2019/11/30/yellow-notebook/15726132009005
A few of these descriptions are:
‘doors open in my head like those in a cuckoo clock’ [page 7], on preparing food ‘the brutality of its preparation’ [page 19], ‘her permed brown hair quivering’ [page 30], ‘the music ran, bounced and thickened’ [page 42], ‘500-watt blue eyes’ [page 82], ‘she paraded in, chin high, teeth blazing’ [page 118], ‘a grille clanged down between him and the world’ [page 233], ‘the jaws of my purse straining wide’ [page 245], ‘the monolith of his marriage’ [page 253]