Seeing Earth: a Concert!

by Jennifer Bryce

It’s really going to happen. After waiting almost two years because of Pandemic lockdowns, Stuart Greenbaum’s piece Seeing Earth, written for Ensemble Francaix — and commissioned by me — is to receive its world premiere performance tomorrow evening. The ‘live’ performance will take place in Melbourne’s Athenaeum Theatre but, if it’s too hard to get there (eg if you live in England) you can tune in through the Melbourne Digital Concert Hall: https://watch.melbournedigitalconcerthall.com/?fbclid=IwAR1JG_fdwIau07P5YTn6EaNutLTl3AwtNC7ZfaiC5F6cWGLNj2L5rjqUWlc#/item/79044

I have mentioned Ensemble Francaix elsewhere on this blog: a fine Melbourne-based chamber trio: Emmanuel Cassimatis – Oboe, Matthew Kneale – Bassoon and Nicholas Young – Piano.

A couple of years ago I decided it was time for me to stop playing oboe. I had two fine instruments, which I would sell. But I wanted the money from the sale to go towards something musical — in a sense, for me, something in memory of my oboes. I love the combination of oboe, bassoon and piano and indeed I had enjoyed playing some of the limited number of compositions for this ensemble — notably by the composer Francaix and also Poulenc. How exciting it would be to add to this repertoire. I approached Ensemble Francaix and they suggested that we ask Stuart Greenbaum whether he would be interested writing a piece for the trio.

The result is Seeing Earth. Stuart Greenbaum is professor of music composition at the University of Melbourne and currently the Head of Composition at the Melbourne Conservatorium of Music. His work has been performed by both the Sydney Symphony Orchestra and the Melbourne Symphony Orchestra. He has written opera and choral music as well as instrumental. Some of his works suggest a fascination with space and the future. For example, his work 90 Minutes Circling the Earth was named Orchestral Work of the Year at the 2008 Classical Music Awards. Another work, The Year Without a Summer was toured nationally and internationally at the City of London Festival (2011).

The concert includes another world premiere performance: Panvino’s Gluttony for Solo Bassoon. Other works will be Borodin, arranged by Davies – In the Central Steppes of Asia, Britten, Pan from the Six Metamorphoses after Ovid for Solo Oboe and Johann Sebastian Bach – Allemande, Courante, Sarabande & Gigue from French Suite No. 5 in G Major, BWV 816 (1725) — I assume this will be played by Nicholas on piano.

Do tune in to Melbourne Digital Concert Hall if you possibly can. They are fine players. It will be a great concert.