Dimanche has been described as a ‘family show’, but it is far more than that. I went away from the wordless performance of mime, puppetry, film and sound asking myself — why is this so much more powerful than seeing a movie? Maybe it is the lack of words. We are weary of clichés about climate change.
Dimanche was presented at the Adelaide Festival by two Belgian companies: Compagnie Chaliwaté and Cie Focus. One of the members said: ‘We want to speak about the denial in which we find ourselves, the mismatch between the extreme urgent need to act and our difficulty to assimilate this urgency’. They do this superbly well, juxtaposing scientists documenting the last living species on earth and a family trying to carry on with their usual life on a Sunday (Dimanche) against the odds of extreme heat (the table legs melt), cyclonic winds and flooding tsunami.
Some brilliant puppetry: an almost life-size polar bear is separated from its cub when melting ice cracks. An exotic bird seeking food for its chick is killed in the devastating winds (its remains are blown into the family’s home and they intend to feast on it). Apart from these poignant depictions of loss, a memorable piece of acting is when the three scientists are driving in polar regions in their van — simply done with a steering wheel, hand-operated windscreen-wipers (the actors take it in turns) all bouncing up and down in unison to suggest the rough terrain over which they’re driving.
There are underwater scenes too, with fish puppets. Articles we recognise from the family’s house are at the bottom of the ocean — a woman in a kayak (rowing in time with the sound of the water) ‘fishes’ up some items. But she too will be taken by the tsunami.
elderly mother puppet, whose feet are cooled in ice
I think it was the lack of words that made this so powerful.