PIANO AND ‘CELLO AT MOUNT MACEDON
Melbourne-based performers Blair Harris (‘cello) and Caroline Almonte (piano) gave an inspired and interesting performance at Macedon Music this Sunday. Mount Macedon is about 70 km to the north west of Melbourne — it was once a hill station resort, where the wealthy retreated from hot Melbourne summers.
It’s surprising that I don’t write more often about Macedon Music http://www.macedonmusic.com/ – such a worthwhile institution: formed about 25 years ago, chamber music is performed in the home of Helen and Peter Murdoch. The audience sits in a living room and looks out large windows to sweeping views of Mount Macedon bush-land: just as chamber music should be – in an intimate setting. But more than this, the Macedon Music committee selects music that is new, interesting and of the highest quality. I’ve been attending the concerts since their inception and there is always something new, diverting, stimulating …
Blair Harris, ‘cello
This time, one of the new experiences for me was to hear an electric ‘cello, on which Blair Harris performed Sept Papillons for solo ‘cello by Finnish composer Kaija Saariaho.
an electric ‘cello
These seven brief descriptions of butterflies seemed to suit the electric ‘cello – light and flighty.
The main difference I noticed in the electric instrument is that the finger board seems to be more responsive than that of an acoustic ‘cello. This was followed by a piece of Australian composer Peter Sculthorpe (1929 – 2014) for ‘cello and piano, which depicts ducks on a billabong – very appropriate for our rural setting.
Then we heard local composer Caerwen Martin’s Heart of Yours, Heart of Mine, composed especially for Blair and Caroline and publicly performed on only one other occasion. Before interval we also heard Arvo Pärt’s Spiegel im Spiegel (Mirror(s) in the Mirror) composed in 1978. Minimalist music, the title suggests infinity and the idea of reflection, with the ‘cello and piano playing scale passages in opposite directions: as the ‘cello ascends, the piano descends, etc … The piece was originally written for violin and piano. It has been used in theatre and film – including a short film by Jean Luc Godard.
After interval (wine and sandwiches on the lawn), we were reminded that 2018 is the centenary of the ending of World War I with a piece written by E.J. Moeran (1894 – 1950) when he was convalescing from a WWI injury. After this came the major work: Frank Bridge’s (1879 – 1941) ‘cello sonata in D Minor H125, composed over the years of the war.
E.J. Moeran during World War I
There are two movements. The first starts with an ascending ‘cello scale that maybe suggests hope, but this is not maintained. The second movement has been said to express Bridge’s despair over the futility of war and the general state of the world at that time.
Frank Bridge just after World War I
I would have preferred that the concert end here, as programmed, but the generous Blair and Caroline provided as encore a piece by Australian composer Gordon Kerry (born 1961) inspired by the mining of diamonds on Aboriginal land. I would have preferred to hear this another time, not when I was immersed in thoughts about the impact of World War I, inspired by Bridge’s powerful sonata.
May 10, 2018
ENSEMBLE FRANÇAIX AT MACEDON MUSIC
I have written recently about the beautiful setting for chamber music provided by the Murdochs at Lowland Farm, Mount Macedon. Sixty or so people sit in a living room looking out of large windows to autumnal colourings in the near distance and then, further away, rolling hills of Australian bush.
I have also written of the wonderful combination of double reeds (oboe and bassoon) and piano that is the chamber group Ensemble Franҫaix. What bliss to combine the two in the Macedon Music concert last Sunday.
Three pieces in the Ensemble Franҫaix repertoire have become old favourites for me: the Trio by Jean Franҫaix, which started this concert and then later the Trio by Francis Poulenc and the final piece, the excitingly jazzy Trio by André Previn. For descriptions of these pieces, please see earlier entries that describe Ensemble Franҫaix concerts. https://jenniferbryce.net/2017/04/07/ensemble-fran%D2%ABaix/
https://jenniferbryce.net/2017/07/23/ensemble-francaix-and-the-harp/
Ensemble Franҫaix commissions works for their somewhat unusual combination. Last Sunday we heard a Ricercare by Queensland composer Chris Healey. Indeed, it was a world premiere. ‘Ricecare’ is a term usually associated with baroque music – music of a contrapuntal style that often weaves around a theme, teasing it sometimes, then ultimately establishing it. For me, one of the best known baroque examples of this device is the theme of Bach’s A Musical Offering. In Chris’s work there were fugue-like passages, but he said he used the idea of ‘ricecare’ as a kind of launching pad. Chris is a relatively new composer who has written for various combinations of instruments and also piano solos. He says he wants to stand on the shoulders of musical greats such as Ravel, Debussy and Stravinsky.
Chris Healey
We heard the Australian premiere of Waharoa, by New Zealand composer Ben Hoadley. Ben travels a lot from New Zealand to Australia and the piece was, to some extent, a blending of these cultures. For example, a motif inspired by the New Zealand bellbird, and another, the Australian grey butcher bird. The title of the piece is a New Zealand place in the Waikato region.
Another piece new to me, but not a premiere, was Terra Incognita by Katia Beaugeais. The piece has two movements, the first, ‘misterioso’ depicts the mystery of the ‘unknown’ land that Europeans of the time before the 17th century believed must exist somewhere in the south.
The second movement ‘appassionato’ suggests the land and its native bird life. One interesting device was to have the oboe and bassoon blow into the open grand piano – the open lid deflected the sound in an eerie way.
The concert finished with André Previn’s Trio and we went home refreshed by its jaunty final movement.
It is well worth visiting the Ensemble Franҫaix website http://www.ensemblefrancaix.com/ I look forward to hearing many more concerts from this talented group.